Also ich finde die Truppe ohne Ende korrekt und war von ihrem Debut Album überwältigt, so dass es immer noch regelmäßig den Laser im CD Spieler zu spüren bekommt. Das zweite war auch ganz geil, allerdings nicht so wie das erste
Im März soll ja endlich ihr neues Album mit dem Namen "the Humdinger"rauskommen
http://www.myspace.com/nappyrootsmusic
BIO
Nappy Roots are an American hip hop sextet that originated in Kentucky in 1995, best known for their hit 2002 single "Awnaw". Their music can be categorized as alternative Southern rap.
The members of the group met while studying at Western Kentucky University in Bowling Green, Kentucky. The group consists of Oakland, California native R. Prophet, Milledgeville, Georgia native Fishscales and Kentucky natives Skinny DeVille, B. Stille, Ron Clutch, Big V. Their debut album Country Fried Cess was released in 1999. Eventually, they were signed to the major label Atlantic Records and rose to fame with their first album on the label, 2002's Watermelon, Chicken & Gritz. The album featured the singles "Headz up", "Awnaw" (whose remix featured Marcos Curiel, and "Po' Folks" (featuring Anthony Hamilton). They were each honoured with the title of Kentucky Colonel and Governor of Kentucky Paul E. Patton declared September 16, 2002 as "Nappy Roots Day". [1]
Their next album Wooden Leather, released in 2003, featured the singles "Roun' the Globe". which was featured on Madden 2004, and "Sick and Tired" (featuring Anthony Hamilton). After that album, they left Atlantic and went back to being independent artists. However in 2007 there has been news that they have signed a deal with Universal Music. [2]
Thier next album, entitled "The Humdinger" will be released in March 2007. [3]
Nappy Roots also worked on the soundtrack of the film "The Ladykillers" by Joel and Ethan Coen.
R. Prophet's upcoming single, produced by and featuring Mannie Fresh, "Run Tell the DJ" headlines Prophet's new solo album "The Voice," also due in 2007 through Ghost Music. [4].
Nappy Roots Interview from Artist Direct
"When you think of Nappy, you think raw and untamed," says Nappy Roots member Scales, explaining the hip hop sextet's unique moniker. "But you also think pure and natural." "That's what we are," chimes in partner in rhyme, Skinny DeVille. "Our name signifies our unwillingness to conform with fads. Once the fads die out, you always come back to the roots."
As for the group's roots, they trace back to Western Kentucky University, 1995. Comprised of the Kentucky-bred Skinny DeVille, B. Stille, Ron Clutch, and Big V. along with Oakland's R. Prophet and Milledgeville, Georgia's own Scales, the group was drawn together by a simple love of music.
While carving out their own unique niche, the group parlayed their hustling instincts into a number of early entrepreneurial ventures - including the Nappy Roots T-shirts that quickly became the hottest-selling item on the WKU campus. However, their biggest venture came via the local ET's Music record shop (with ET short for ER'Thangs Tight). It was at ET's, which also doubled as a production studio, where the six would musically take shape with each Nappy Roots member bringing their own distinct flavor to the mix.
You'd think it would be hard to get six guys moving in the same direction, but that's something more people bring to our attention than we actually think about ourselves," says Skinny DeVille. "We just be kickin' it, doing what we doing and not really thinking about the fact that 'okay, it's six people.' Itýs a matter of give and take."
Of course, the Nappy Roots creative formula has been paying off for years now, giving rise to an underground following courted through tantalizingly belligerent flows, intuitive hood analysis, and PA-melting beats. Created and sold at ET's, the Nappy Roots 1998 indie album, "COUNTRY FRIED CESS," flew off the retail shelves from the word go. In fact, NR garnered such a tremendous buzz with the album that representatives from Atlantic Records soon came a-knocking.
Even though they'll get their first chance to speak to the masses later this year with their Atlantic Records debut, "WATAMELON, CHICKEN, AND GRITZ," donýt expect to see the men of Nappy Roots blinding you with oversized ice anytime soon. As they're quick to point out, flossing is not their style. They're much happier with the simple things in life. "Weýre trying to make people realize that itýs good to just be you," says Skinny DeVille, who, along with his five other mic cohorts, rhymes about "ballin' on a budget." "That's essentially what Nappy Roots is about. We're glamorizing being average."
In shying from narcissistic, flashy images, "WATAMELON, CHICKEN, AND GRITZ" stands as the antithesis of the norm. "You ainýt gotta be country to understand it," says Big V. of the album's title and overarching themes. "Our music is just like those foods - fresh of the earth, of the soul." Indeed, the Nappy collective serves up a hearty helping of soul food for thought with tracks like the pensively absorbing "Peanuts," a semi-autobiographical account of the group's ongoing struggles. Over the splatter funk of the Groove Chambers produced "Peanuts," the listener is hit straight up with introspective lines like "Ain't about thuggin'/it ain't about hustlin'/its about seeing your kids go without strugglin'."
The Scales-composed "Life's a Risk" is equally as ruminating with such Skinny DeVille rhymes as "On the verge of loosing my mind as well as my last nerve/I served my last dime standin' on this crack curb." In this way, the group places you on the frontlines of a future fraught with uncertainty. With production contributions from the likes of Carlos Broady and labelmate Jazze Pha, the album possesses an abundance of tracks sure to secure Nappy Roots among the game's most contemplative thinkers as it also demonstrates their readiness to party crunk with the best of them - as they reveal on the block rattling "N-A-P-P-Y."
However, proving their musical muscle is only part of the challenge for Nappy Roots - there's also the responsibility of holding it down for their often over-looked hometurf. "It's like a plant," says Big V. "If thereýs no light to shine on Kentucky, it won't grow." "We do have a burden on our shoulders because a lot is riding on the success of Nappy Roots," adds Ron Clutch. "But we're not worried. Our music speaks for itself."
This Artist Bio was originally published by artistdirect.com
http://www.myspace.com/nappyrootsmusic
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nur deswegen hab ich dir ja auch den gefallen getan und wie aus der pistole geschossen die erwartete antwort gepostet. 
