UG Rap Community

hab glaub ich schonmal danach gefragt aber irgendwie nie mehr rausgefunden
is von 1999, isses so playa sound wie das cover vermuten lässt oder welcher style??

it's an ok album...

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It’s been almost two years since six rowdy teenagers from Ellenwood, Georgia first exploded on tational music scene with there thunderous tunes “Knuck if You Buck.” Like an uncontrollable wildfire the song blazed its way through the underground and literally became one of the hottest songs in the country. Their subsequent self-titled debut drew rave reviews from various critics from both hip-hop and mainstream press – the album is pure adrenaline on wax. The New York Times called their music “addictive” noting that it had their gritty and aggressive sound evoked “the gleeful mayhem of an out-of-control classroom.” If Lil Jon is considered the King of Crunk and Lil Scrappy the Crown Prince of Crunk then consider Crime Mob the Grand Dukes and Duchesses of Crunk music -the young Turks, reppin’ the next generation of Southern hip-hop.

Crime Mob’s musical tale has its roots deep in the streets of Ellenwood, a small suburb outside of Atlanta. “We came up in the same area,” says Cyco Black. “We all went to the same school, that’s how we hit it off really.” When the crew was in their early teens the guys got involved in a little more than their fair share of mischief. Back then they called themselves Crime Mob and were known for being a rowdy bunch. But it was their love of music that brought the six together over a homemade studio where they would develop a style that eventually led them to fame and fortune. “The name [Crime Mob] was made up a long time ago,” says Princess. “We still hold [onto] that name because it’s a part of our history, it’s a reminder of where we came from, but we’ve turned it into a positive thing.”

Soon the group started hitting the streets with their underground CDs, doing countless shows around the City of Atlanta. After a while Crime Mob earned a reputation for putting on exciting shows. One of the highlights of that show was their performance of the underground song, “Knuck if You Buck” - it caused sheer pandemonium. Whenever the beat dropped and the crew started chanting the hook, the clubs would go crazy. Impressed with their talent and performance skills, BME recording artist Lil Scrappy invited them to open up a few shows for him. Little did the group know that it would alter their lives forever. Scrappy had arranged for Lil Jon and BME executives to be at one of the shows and they were thoroughly impressed with what they saw. “Lil Jon and the rest of BME were in the club,” recalls Princess. “When we performed the song the crowd already knew it. So, that sparked their attention.” BME and Crime Mob inked a deal and immediately went into the studio to record. Two weeks later Crime Mob’s self-titled debut was ready. Fueled by the blazing hit single “Knuck if You Buck,” (the second single to reach platinum status in ringtones), Crime Mob’s debut album peaked at number five on the Billboard charts and sold well over four hundred thousand units with little promotions.

Now, just when you thought that it was safe to go to the clubs or turn on your radio and enjoy a nice quiet crime free evening, Cyco Black (20), Diamond (18), Lil Jay (20), Princess (19), MIG (19) and Killa C (20) return with their long-awaited sophomore album entitled Hated On Mostly, an album that features more of the chart-topping, head-busting music for you to rock yo hips and swing them bows to.

According to the group, Hated On Mostly not only represents the next plateau for the group artistically speaking, but it also serves as a big fat smack in the face of the crew’s haters and distracters who were waiting on Crime Mob’s downfall. This record says emphatically that it isn’t gonna happen.

“You know we were young when the first album came out,” explains MIG. “We were still in [high] school and there were haters.”

“A lotta people underestimated us,” adds Diamond. “But people all over the world, white folks, Black folks, green folks still love our music. People didn’t think that Crime Mob would really make it this far.”

Produced by Lil Jay, Killa C, MIG, Dirty Doc Jam and the Omp Camp, Hated On Mostly represents a creative milestone in Crime Mob’s artistic career and shakes the dreaded sophomore jinx like a junkie going cold turkey. The main thing that separates Hated On Mostly from the Crime Mob LP can be summed up in one word - maturity. Instead of saturating the album with the tried and true theme of I’ll-beat-yo-ass, the sextet also explore a softer side. For example, one need listen no further than the group’s lead single, “Rock Yo Hips,” featuring label mate, Lil Scrappy. “Rock Yo Hips” is a club-friendly ode to the rotating movement of the female posterior. The hypnotic track is built around a snap-styled beat with a booming bass drum and catchy flute riff. “Rock Yo Hips” leans more toward crunk n’ b than the head busting adrenaline filled beats that Crime Mob is known for.

“Don’t Need Ya,” is a joint that lyrically pits the ladies against the fellas in a mock lovers spat. “Princess came up with that one,” explains Diamond. She just was like on some kinda angry 3-6 type of stuff. Let the females go against the males. We spoke for the ladies and the guys spoke from the male point of view. That record is crazy. We had a good time doing that one.” “Don’t Need Ya” chops up a classic sample of Bobby Womack’s hit “If You Think You’re Lonely Now,” into a sweet melodic track that forms the perfect sonic juxtaposition to Crime Mob’s aggressive flow and combative lyrics.

Another song that stands out on Hated On Mostly is “Circles,” a haunting song about the painful agony of being in a dysfunctional relationship. Using a sample from the classic Luther Vandross song “Going in Circles,” the smooth out R&B-tinged song is bound to be one of the biggest tracks on the album and no doubt will take Crime Mob to the next plateau of success. “We really wanted to put it on our album to try something different,” says MIG. “Dirty Doc Jam brought us the track with the sample already in it and we really liked it. So we just sparked it up right there.”

But don’t let these smoothed out tracks fool you. In no way has the Mob gone soft. Rest assured that there are plenty of trunk-rattling, angst filled bow-throwing club anthems like the rowdy “Who You Be,” the badass jam “2nd Look,” and the menacing title-tune to keep die hard crunk fans more than satisfied.

In Stores February 2007...

ROCK YO HIPS

Atlanta based Hip Hop group, MSEIZE, recently announced the release date for their latest album, 'The Intervention', whose title represents the groups stance on the current state of Hip Hop. "Mainstream music needs an intervention", the group states. The album will be released through Red Reign Entertainment and is due in stores January 23rd, 2007.

"'The Intervention' is about the power of music," says Rock Most, producer and one-third of MSEIZE. "It's for people who are tired of the same regurgitated concepts and messages that are so prevalent in mainstream music. There’s so much of that same cookie cutter sound out there. We have to preserve Hip Hop as we know and love it. We choose to use our power for good."

MSEIZE gained national recognition with their 2004 release, ‘The Outer Party Experience’, and while touring with the House of Hip Hop Concert Series. The new album features the 12” single, ‘Alright’, backed with ‘Easy’ & ‘Ringtone’, currently promoted to radio by California-based, Saucy Promotions. A sample of the album may be heard on the groups website, http://www.mseize.com.

MSEIZE will celebrate the forthcoming album and the start of their promotional tour with a special performance scheduled for January 17th, 2007, at The 5 Spot in Atlanta. Attendees of the performance will be privy to an advanced copy of the album, included with their admission fee. States Rock Most, “It’s comforting like something you’ve known and loved all your life, and as refreshing as something you’ve never had before”. ‘The Intervention’ is available in stores January 23rd, 2007, and is distributed by UPD Distribution.

Easy

+

Real gamblers have a special mentality. They’re ballsy, fearless, and ambitious. They thrive on winning yet aren’t afraid to lose. They realize that in the blink of an eye, a life’s worth of success can be lost with a single roll of the dice yet they never hesitate to come back to the table again and again. BLAKJAK has that gambler’s mentality. The 23-year-old Decatur, Georgia rapper says he earned his moniker when he was in high school and has lived up to it ever since. “Blackjack is the game that I used to like to play. When I was in school I used to hustle people playing that game so I just kinda rolled with the nickname.” And now, BLAKJAK is gambling on success in the rap game.

BLAKJAK, born Jafari Eady, began rapping about six years ago at the urging of his cousins. “Two of my cousins had a group called The Ward Boys. I kinda wanted to do what they were doing.” At that time, BLAKJAK was soaking up the sounds of hip-hop, lending special attention to Scarface, whom he says he appreciated for his story-telling skills. BLAKJAK soon took elements of the rap music that he loved and added his own flavor to create a sound that he refers to as “rhythm & gangsta.” “It’s not too up-tempo. It’s something to ride to,” he offers.

BLAKJAK describes his lead single, “Ride & Swerve,” as a “very catchy, summertime song. It’s straight for the streets and it’s definitely something outside of the box in terms of what’s happening now in Atlanta.” Not one to yield to hip hop trends, BLAKJAK steers clear of his hometown’s popular sub-genres like crunk and snap music, opting instead to stay true to his own unique flavor – a flavor that he says has appeal from coast to coast. “The west coast, east coast and down south all have ride music like I do. So my sound is for people from all over.”

BLAKJAK’s debut album for Vintage Sound/Universal Republic entitled “Place Your Bets,” takes listeners deep inside his personal life and douses them with the philosophies that have helped to shape his experiences. “The album is appropriately titled because life is definitely a gamble,” he says. “It’s all about how you play your hand, how you roll the dice. It’s all about being in the game and about how you handle winning and losing.” Among BLAKJAK ‘s favorites on the set are “Street Life,” produced by Cool & Dre, and the Don Cannon-produced “Above Water.” “‘Street Life’ is a song about how I came up and ‘Above Water’ is about keeping your head above water. I’m telling people I know that it’s hard sometimes but I’m just sharing with them some of my experiences and all that I’ve been through to get to where I am.”

On “The Pain I Feel,” BLAKJAK talks about love and loss. “This song is about some of the things that I’ve been through. I lost my mom when I was eleven; I lost one of my best friends and I lost my cousin who got shot and killed after school.”

“What’s That Smell,” featuring Young Joc, is, quite simply, a song about smoking weed. This ‘blazing joint’, like many others on the set, are straightforward and unpretentious. “I’m just a genuine dude,” says BLAKJAK. “I just speak from my heart. I just do me without jumping into the trend thing.”

And BLAKJAK says he thinks fans will appreciate him for who he is. “Real recognize real and I think people wanna hear something real. I hope people will listen to this album and say, ‘he’s coming with it. He’s really from the streets for real. This guy’s really trying to do something.” BLAKJAK says his mission is to show people that “there’s more to ATL than what they're really hearing. I’m really putting Decatur on my back right now, representing the slum of my city.”

The distinctively gritty sound that characterizes BLAKJAK ‘s music reflects the true grit nature of his life thus far. He notes, “I’ve done everything under the sun just trying to make it: school, work, hustling. I did everything to keep money in my pocket, to take care of my people and myself.”

In a trend-driven industry where many artists mimic the latest craze, BLAKJAK is betting on being successful by being himself and exposing his heart. “That’s basically how I wanted to have it,” he says. “Anybody can do a club song to make people sing along with them but how many people can do a heartfelt song that people can feel thirty years from now? I want to do timeless music, something you can put on thirty years later and let your kids listen to it.”

1. Intro
. Bobbin My Head
3. How Is Goes Ft Slick Pulla
4. Ride & Swerve Ft Project Pat
5. Skit #1
6. Ball Out ($500) Ft T-Pain
7. Showbiz
8. Luv U Blak
9. Skit #2
10. All I Know Ft Rock City
11. Pain I Feel Ft Lloyd
12. Trap All Day
13. G Shit
14. What's That Smell Ft Straw Dawg & Broadway
15. Outro

Blak Jak Ft T-Pain - Ball Out ($500) (

die is so kacke... das lied mit pät ist aber zu geil!

nachdem track mit pat wär ich total geil drauf, aber dann...

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Have you ever jacked somebody?... besides your dick ?

oh mein gott, Bizarr wieso das denn? naja, hauptsache er bringt mal was raus seine paar features auf RAL fand ich immer geil

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Have you ever jacked somebody?... besides your dick ?

aufm Pic sieht er bißchen wie Busta Rhymes aus.

tatsächlich, nur halt etwas breiter

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Have you ever jacked somebody?... besides your dick ?

Mo Kountry - Kountry Muzic...



"We got that Kountry walk that Kountry Talk we from the Southside playa what you thought." This is a hook from one the group's self entitled songs "Mo Kountry." This gives the audience a clear picture of what the group is about and where they reside, ATL that is Atlanta Georgia. In 2001 Aaron "Ga. Black"Heath and William "Big Ross" Carmichael created one of the most electrifying duo's known to mankind.

Ga. Black was on his way to being a force to reckon with in the Dirty South movement. Then, one day at a live performance, he met Big Ross, producer/artist doing his solo thing, they felt each other's style and linked up to form the powerhouse group known as Mo Kountry!

Mo Kountry then linked up with Street Talk Entertainment the critically acclaimed label behind a lot of talent out of Atlanta. Then the magic began, the group went into the studio and recorded the smash single entitled "Shop Witcha". The song spread quickly to everyone's surprise. States that normally would take a long time to play Southern music reacted quickly, such as New York, Chicago, the Midwest and many more states.

Music Mogul, Jacob York, responsible for aiding successful artist such as LiL Kim, Cam'ron, Akon, Young Jeezy, Gucci Mane and Pastor Troy, to name a few, got wind of the group and the release of the group's first album titled, Kountry Muzic is being released on his Yorktown Records imprint.

Kountry Muzic is loaded with non-stop head banging tracks produced by Mo Kountry's own Big Ross. Big Ross has produced the likes of Grand Hustle's Dro and Raheem. Salasi also added his magic touch to the project, producing such artists as Petey Pablo, Jagged Edge, Duke from Boyz N The Hood and Rasheeda. The single, "Rain" gained tremendous impact on Hot 107.9, Dirty Boyz's Show, winning every battle to go on to retire as Champions, voted by Atlanta listeners such as TI, Bone Crusher and Dro.

The group is on a campaign called the Kountry Movement, "Everybody from the South knows about the country down south swagger, but if you are not from the South, the movement will educate you on what the South is all about."

This album will be the official dictionary for those who don't know Southern Living.

Mo Kountry - Rain

Was für ein Scheißalbum, wollt'sch bloß ma jesagt hawn..

Sehr geil dagegen dieses Zitat aus einem mkzwo.de-Review der Scheibe:

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UGRAP YOUTUBE ++UGRAP DISCOGS

ist anscheinend angekommen

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Have you ever jacked somebody?... besides your dick ?

new heat aus ATL: KP - Bean Pop http://www.megaupload.com/?d=8SFO6Y6P

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SUCHE BITCHES FUR PORNOFILME
tel:0033/606724540