The mother of deceased rapper Ol’ Dirty Bastard and his manager have announced plans for a new record label and other related business ventures.
Dirty’s mother Cherry Jones and longtime manager Jarred Weisfeld have formed JC Records (Jarred Cherry Records), a division of AGU music, and are planning the first posthumous release from Ol’ Dirty Bastard, who passed away Suddenly on Nov. 13 in a Manhattan Recording Studio.
The first release from Ol’ Dirty will be the Sure Shot Records-distributed Osirus mixtape, a nod to one of his many monikers.
"ODB passed a week after he finished recording and he never got to hear the final mixes," Sure Shot CEO Chris Landry told AllHipHop.com. "I think he would love how it came out and it is a humbling experience to be able to share with the world his work. He will live forever through his music and his children."
The project was in production prior to Ol’ Dirty’s sudden death. Over 15 songs have been acquired and the album features production by DJ Premier, Mark Ronson, Kdef, Chops and others.
The DJ Premier produced “Pop Shots (Wu Tang)” is the first single from the record, which lands in stores January 4th.
According Weisfeld, the album is the first in several projects being produced. These projects include a DVD called "Blackass the Urban Jackass," a CD with Dirty's crew Brkyl Zu and other projects.
"Dirty's legacy will continue though this album, his music, his DVD and his clothing line for all eternity” Weisfeld said.
Weisfeld hopes that each member of Wu-Tang can contribute a separate track to a tribute album with proceeds going to all ODB's kids
Representatives for Roc-A-Fella Records declined to comment.
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Kanye West’s single “Jesus Walks,” previously on heavy radio rotation, has incited debate over the use of the word “Jesus” and the role of religion in secular music, a topic West addressed directly in a “60 Minutes” interview to air Wednesday (Dec. 8).
West, known for his upbeat rhymes, told “60 Minutes” correspondent Bob Simon that his fellow industry associates advised him about putting out the single “Jesus Walks,” which confronts the censorship of the word “Jesus” on radio stations.
The Chicago native compared the use of the word in the song to using the N word.
“People would be like, ‘Yo, it’s the best song I ever heard, but it’ll never make it on radio,’ and it frustrated me, so the second verse I wrote about how they say you can’t say Jesus on radio…The word Jesus was like saying [the n-word],” West said. “It’s gonna offend people for you to say Jesus.”
While some have criticized West’ use of the word “Jesus” along with curse words, West stated that the song targets a particular audience.
“The song is not for [evangelical listeners],” West responded to Simon’s comment that curses might detract religious crowds. “It’s speaking to the people that I think God is really trying to reach.”
The complete report will air on the CBS Wednesday (Dec. 8) at 8:00 p.m. E.T.
In related news, following a bunch of awards and honors this year, West leads Grammy Award contenders with 10 nominations, organizers announced today (Dec. 7). West’s debut album College Dropout has inhabited the tops of charts since its release.
“It's overwhelming,” said West. “ It's just been an amazing year for me, and I feel so blessed to have the opportunity to touch people with my music. To be honest, it's even a bit scary, all this love from the fans and my peers and the academy. I'm working on my new album right now, and I want it to be something that's just as special."
Five of West's nominations are in the rap category, including best rap album.
He also has two nominations in the best rap-sung collaboration class for his songs "Slow Jamz," featuring Twista and Jamie Foxx, and "All Falls Down," featuring Syleena Johnson.
R&B singers Alicia Keys and Usher, who have also had a stellar award year, notched eight nominations each.
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Kanye West’s single “Jesus Walks,” previously on heavy radio rotation, has incited debate over the use of the word “Jesus” and the role of religion in secular music, a topic West addressed directly in a “60 Minutes” interview to air Wednesday (Dec. 8).
West, known for his upbeat rhymes, told “60 Minutes” correspondent Bob Simon that his fellow industry associates advised him about putting out the single “Jesus Walks,” which confronts the censorship of the word “Jesus” on radio stations.
The Chicago native compared the use of the word in the song to using the N word.
“People would be like, ‘Yo, it’s the best song I ever heard, but it’ll never make it on radio,’ and it frustrated me, so the second verse I wrote about how they say you can’t say Jesus on radio…The word Jesus was like saying [the n-word],” West said. “It’s gonna offend people for you to say Jesus.”
While some have criticized West’ use of the word “Jesus” along with curse words, West stated that the song targets a particular audience.
“The song is not for [evangelical listeners],” West responded to Simon’s comment that curses might detract religious crowds. “It’s speaking to the people that I think God is really trying to reach.”
The complete report will air on the CBS Wednesday (Dec. 8) at 8:00 p.m. E.T.
In related news, following a bunch of awards and honors this year, West leads Grammy Award contenders with 10 nominations, organizers announced today (Dec. 7). West’s debut album College Dropout has inhabited the tops of charts since its release.
“It's overwhelming,” said West. “ It's just been an amazing year for me, and I feel so blessed to have the opportunity to touch people with my music. To be honest, it's even a bit scary, all this love from the fans and my peers and the academy. I'm working on my new album right now, and I want it to be something that's just as special."
Five of West's nominations are in the rap category, including best rap album.
He also has two nominations in the best rap-sung collaboration class for his songs "Slow Jamz," featuring Twista and Jamie Foxx, and "All Falls Down," featuring Syleena Johnson.
R&B singers Alicia Keys and Usher, who have also had a stellar award year, notched eight nominations each.
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